I recognized both artists from the Captain's widow. The men, descendants of those moments when there are, in any direction, with its political nature. *The Grand Domestic Revolution* is becoming more and more attentitve to the past 14 years wherein it was used as a work of contemporary artistic practice; into both the conceptual and minimalist spatial interventions to create interaction between life and death--paradoxical realities--the simultaneous state of emergency, legitimizing increased surveillance and quantification culture.
Wait what? What did you just read?
I ask myself the same thing after I read a lot of real-life artist statements too similar to the above.
It's okay. It's supposed to be farce. Exactly like too much similar writing about art is not--not intentionally anyway.
Folks have studied and named the fugly beast which is such writing. It is International Art English, or IAE.
A good artist statement may be:
A bad artist statement probably:
This page randomly selects and serves pre-generated farcical artist statements, many of which were created with computer assistance; for example by statistical sentence recombobulation: training an AI on actual IAE, then having it gurgitate similar stuff.
The statements, being AI-generated, are by nature (and if human-created, by dedication) in the Public Domain.
To get another statement, reload the page.
This "statement" is from this source file:
ZQRaKSHc7d8WX8t7R6rW_generated_IAE_gibberish__2016_01_02__02_47_42__685316.txt
This page doubles as an API. To get a plain-text statement without this explanation, call the page with any GET variable declared, like this:
http://earthbound.io/data/gibberish-artist-statements/index.php?gib=florf
To contribute to these entertainments, clone the git repository, do your stuff and submit a pull request.
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