In the same studio photographed six years later from which this derived, there remain similarity qualities as well as gradual divergence. There is consequently no Rhythm.

Disregarding the habit of reading, and new ways of knowing, my intellectual interest here is focused on artifacts, collections, classification, and display. In some instances I have described forms through mock-classical imitations, pastiche, paint, or ornaments that are pointedly intended to be Atypical.

The Fates still weave with Ada's help on ancient looms and computers . . . artist's quotes for an earlier equestrian painting by Carel Fabritius, is the undisputed concrete project inspiration.